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While good vs. evil is a prevalent theme in both literature and movies, and is the most basic of all story telling vehicles, the truly fascinating element in “The Untouchables” isn’t Elliot Ness’ triumph over Al Capone. Rather, it’s the mentor relationship between Sean Connery’s Officer Jim Malone and the younger, uncertain Elliot Ness. The dynamics of the mentor-student relationship is exceptional. Obviously, this is not the first, or only, literary medium to use this thematic process. But, set in Chicago’s gangland heydays, it simply adds a new dimension to the way in which the story is told.
So, what is it about the mentor-student tale that is so compelling ? I believe part of it is the mentor’s willingness to allow the student to uncover truths for himself. For many of us, teachers told us what to learn, what to write and what to say. Teachers have told us the right answer, and the better ones will show you how to find it. But the mentor in the mentor-student formulaic tale, doesn’t do this. He sets the student on the path, he guides, he shows the possible directions, he tests, he argues, but he doesn’t, under any circumstance, give the student the final answer. That is for the student to uncover for himself. How much more meaningful is it to reveal truths to yourself ? It is night and day from the typical ‘sit in lecture and take notes’ philosophy that most of us have experienced. This process allows the student to grow, to develop her own style and reveal her own methodology. It also brings forth self-esteem, as the student grows in confidence of her own abilities.
In Yoga, I try to include Hero Pose in most of my classes. This simple asana requires you to sit on your heels, with feet flat on the floor, with the spine reaching upward and your heart center open. Every instru
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Here endeth the lesson.
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